![]() In Oaxaca, a waltz, "Dios nunca muere" (God never dies) became the state's anthem, linking regional patriotism with God. In some indigenous regions, new music and bands helped bring a level of unity. Musicians had access to and used sheet music, indicating musical literacy. During the Porfiriato, musical styles expanded, with Mexican national music, cosmopolitan music brought by foreign elites, and European regional music such as polkas, mazurkas, and waltzes, as well as opera overtures. Village brass bands proliferated in the late nineteenth century, with concerts in town squares, often on a central kiosk. Liberal President Benito Juárez saw the need to create military bands. During the French Intervention in Mexico, which placed Maximilian of Habsburg on the throne of the French empire in Mexico, many musicians accompanied his entourage and he established the National Conservatory of Music in 1866. He composed the music for the Mexican national anthem. Conservative general and president Antonio López de Santa Anna brought a Catalan music master, Jaime Nunó, from nearby Cuba to create a network of military bands on a national scale. There existed regional and local musical traditions in the colonial period and earlier, but national music began to develop in the nineteenth century, often with patriotic themes of national defense and against foreign invaders. Many traditional instruments, such as the Mexican vihuela used in Mariachi music, were adapted from their old-world predecessors and are now considered very Mexican. However, much of the traditional contemporary music of Mexico was written during and after the Spanish colonial period, using many old world influenced instruments. This ancient music is still played in some parts of Mexico. The original inhabitants of the land used drums (such as the teponaztli), flutes, rattles, conches as trumpets and their voices to make music and dances. The foundation of Mexican music comes from its indigenous sounds and heritage. Since its creation, almost fifty musicians have passed through the group. And still others have put forth that the track is about Harry Styles, since they have basically deemed him the most “beautiful” of all of Swift’s exes and thus the person she is logically referring to. But you know, beauty is in the eye of the beholder. And at the end of the day Swift herself has asserted that the songs on “Evermore” are indeed fictional.Los Folkloristas a musical group formed in Mexico City in 1966 and dedicated to the research, execution, and dissemination of traditional Latin American music. And the singer does not want to put herself in such a sentimentally vulnerable state, especially considering that once again she is not the only one who feels this way about the object of her affection.īut for the record, let it also be known that Taylor has referenced gold in previous songs. And devout Swifties have come to recognize such references as allusions to her friendship with Karlie Kloss, one of Swift’s top homeys. However, Kloss is, again, a close friend to Taylor, not a lover. However, another way of looking at it, considering the second line of the chorus for instance, is that the term rather alludes to some sort of emotional disposition akin to being flustered. ![]() being one of many individuals looking to secure the treasure, that being his love. Thus if she too were to pursue him, then she would be caught up in the “gold rush”, i.e. ![]() The Gold Rush, as many readers already know, was a moment in American history whereas California became a hotspot for thousands of migrants upon gold first being discovered in the area. And since then, whenever a new source of this valuable mineral is unearthed, the resultant frenzy is referred to as a “gold rush”. But concerning the way Taylor uses the phrase in the song, there are two possible explanations to its exact meaning within context. One is that she is perhaps referring to the way a number of people ‘want’ the addressee. Meaning of “Gold Rush” as Used in the Song?
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